While for many years, rumors of very big troubles in Hollywood have been dismissed as 'conspiracy theory', the warnings given years ago by Lost Boys actor Corey Feldman are ringing more true every day. Feldman, one of the two Corey's in that movie along with Corey Haim, has long warned of a 'shadowy network' within Hollywood that preyed upon the young and innocent. From People magazine.:
Corey Feldman is speaking out once again about the alleged child sex abuse he suffered alongside pal Corey Haim – opening up about how they were invited to parties where adult men attempted to befriend them.
“When somebody approaches you and says, ‘Hey, this is a Hollywood party where you get to hang out with the powerful people in Hollywood,’ well that sounds like a great opportunity,” Feldman, 44, told The Hollywood Reporter.
Feldman’s latest comments come in the wake of Elijah Wood’s remarks to London’s Sunday Times, in which he reportedly said that there are “a lot of vipers” in the industry, and referred to the U.K.’s Jimmy Savile abuse scandal.
“You all grew up with Savile – Jesus, it must have been devastating,” Wood, 35, said. “Clearly something major was going on in Hollywood. It was all organized. There are a lot of vipers in this industry, people who only have their own interests in mind.
Wood later clarified that he has “no first hand experience or observation of the topic” and said his comments came after he watched a “powerful documentary.”
Feldman, meanwhile, told THR that he does believe there was likely some kind of shadow network that preyed on kids when he and Haim were young.
All the way back in 1995, while Bill Clinton was the president of the US, what has been called the most notorious teen movie ever made was released by a Harvey Weinstein label that he created only for releasing this movie since Disney would not back a film published with an NC-17 rating. Called 'Kids', the movie looked at the lives of a group of teenagers in New York and their hard partying, sex, drugs and rock and roll lifestyles.
Constant, extremely frank and explicit sexual talk between adults, teens, and preteens, with lots of vulgar slang and discussions of/references to seemingly every sex act imaginable.
The beating in the park is very frightening and graphic.
The rape scene is very disturbing.
The entire film explores promiscuity in teenagers. It is filmed in a documentary style way that makes it feel very realistic and confronts its matters in a very (implied) explicit style. The entire film is disturbing and uncomfortable to watch.
MPAA Rating: NC-17 for graphic sexuality and drug use involving teens, and a brutal beating.
Harvey Weinstein (Co-Founder of Miramax): "I sat and watched it in our screening room in Tribeca and, honestly, there's no simple, concise way to describe how I felt. Dumbstruck? Awestruck? Impassioned? All I knew was that we had to somehow put it out, whatever it took, because this was something raw and real on the level of the cinema of the Seventies, when filmmakers all of a sudden took a turn towards capturing our dark underbellies.
We started a distribution company strictly for the purpose of putting Kids out and called it Shining Excalibur Pictures."
Eamonn Bowles (Former Head of Acquisitions at Miramax/Head of Shining Excalibur Pictures: "Harvey wanted to call it Excalibur. In the back of my head, I have an association with that name for some reason, and it's not a positive one. We did a title search and realized that Excalibur Films was one of the big porno companies. So then it was Shining Excalibur." Hmmmm...
Back in 2013, Vigilant Citizen published a story in which they reported that outspoken actress and comedian Roseanne Barr had recently given this warning "MKUltra Mind Control Rules In Hollywood". As they reported then, while we may not agree with all of Roseanne's views, she was one of the very few people speaking out on Hollywood and its most damning issue: MK ULTRA. You can hear Roseanne in that video, the 2nd video below.
In a 2013 interview with RT, Roseanne talked about the dark side of the entertainment industry and directly mentioned MK ULTRA as being a major force in Hollywood.
Roseanne basically says that Hollywood stars are terrified of using their status to speak out about important issues because there’s a “culture of fear” going on there, where “speaking out” almost automatically equals being shunned from the industry and having one’s career destroyed. (Think Harvey Weinstein!)
More importantly she adds: “It’s also a big culture of Mind Control. MK ULTRA Mind Control rules in Hollywood.”
This means that many stars do not speak out because they literally cannot do so. They are mind controlled which means that they have alter personas programmed into them that handler are able to trigger and control at will.
Monarch Programming is a method of mind control used by numerous organizations for covert purposes. It is a continuation of project MK-ULTRA, a mind-control program developed by the CIA, and tested on the military and civilians. The methods are astonishingly sadistic (its entire purpose is to traumatize the victim) and the expected results are horrifying: The creation of a mind-controlled slave who can be triggered at anytime to perform any action required by the handler. While mass media ignores this issue, over 2 million Americans have gone through the horrors of this program. This article looks at the origins of Monarch programming and some of its methods and symbolism.
Monarch programming is a mind-control technique comprising elements of Satanic Ritual Abuse (SRA) and Multiple Personality Disorder (MPD). It utilizes a combination of psychology, neuroscience and occult rituals to create within the slaves an alter persona that can be triggered and programmed by the handlers. Monarch slaves are used by several organizations connected with the world elite in fields such as the military, sex slavery and the entertainment industry. This article will look at the origins of Monarch programming, its techniques and its symbolism.
Throughout the course of history, several accounts have been recorded describing rituals and practices resembling mind control. One of the earliest writings giving reference to the use of occultism to manipulate the mind can be found in the Egyptian Book of the Dead. It is a compilation of rituals, heavily studied by today’s secret societies, which describes methods of torture and intimidation (to create trauma), the use of potions (drugs) and the casting of spells (hypnotism), ultimately resulting in the total enslavement of the initiate. Other events ascribed to black magic, sorcery and demon possession (where the victim is animated by an outside force) are also ancestors of Monarch programming.
It is, however, during the 20th century that mind control became a science in the modern sense of the term, where thousands of subjects have been systematically observed, documented and experimented on. One of the first methodical studies on trauma-based mind control were conducted by Josef Mengele, a physician working in Nazi concentration camps. He initially gained notoriety for being one of the SS physicians who supervised the selection of arriving prisoners, determining who was to be killed and who was to become a forced labourer. However, he is mostly known for performing grisly human experiments on camp inmates, including children, for which Mengele was called the “Angel of Death”.
Disney, the man, the studio, and the theme parks are often cited by Monarch victims as an essential part of the government’s mind control program. Programmers use electroshock in combination with Fantasia’s imagery to induce dissociative personalities and for programming. Program runners realized that bringing in people from all over the world to military facilities would eventually give rise to suspicions, so they worked with Walt Disney in designing his theme parks to include facilities for mind control programming. Many of the rides are designed for use in mind control and to traumatize young children.
MGM’s Wizard of Oz and Disney’s Alice in Wonderland are favorites of Monarch programmers. Victims are told to go “over the rainbow”, or “there’s no place like home” to reach a safe place in Wizard of Oz programming or “go through the looking-glass” if using Alice in Wonderland. “Follow the yellow Brick Road.” or “Follow the White Rabbit” are triggers to follow the programmer’s commands.
Illuminati programmers designed Star Wars for use in trauma-base mind control programming.
Monarch programming is also used on the masses via movies, televisions, and music. They are used to desensitize the public or to trigger programs in mind-controlled slaves. Websites such as IlluminatiMovies and VigilantCitizen are dedicated to analyzing Hollywood movies from the perspective of Monarch.
The 3rd video below is an excellent one from Sheila Zilinsky titled "Exposed! Hollywood Elite, Satanic Mind Control and the Dark Secrets of Freemasonry" while the final video below is titled "CIA Documentary - Project MK ULTRA Mind Control Techniques". And as this August of 2017 story over at Sputnik reports, a vast swathe of documents revealing the extent of US government influence in Hollywood – including editing scripts, and blocking critical movies from ever being made – have been unearthed, indicating US officials have covertly helped produce at least 800 major movies and 1,000 television shows since 1910. Should we be surprised?